This painting/animation was informed by the original artwork of Schafer’s friend Alex S. Martin. Alex helped in a lot of ways including sound design, creating original music, and overall creative collaboration.
This is an updated version of the VR painting to take advantage of Quill’s new animation features
Check out more of Matt’s work through these links:
Download the Quill file:
Check out Alex’s work:
Elizabeth Edwards is a VR Artist based in Canada and utilises software like Tilt Brush and Quill to paint in VR.
These examples of her work are fantastic and really highlight how open things are in todays modern creative landscape.
Check out more on her artstation here
A piece painted in VR using “Quill” by Oculus Story Studio.
Quill is similar to Tilt Brush on the HTC Vive, giving you a virtual palette and tools to create in a 3D space. But what Fujita is showing us is an entirely new level of immersive art.
Over nearly four decades at Disney, Glen Keane animated some the most compelling characters of our time: Ariel from The Little Mermaid, the titular beast in Beauty and the Beast, and Disney’s Tarzan, to name just a few.
The son of cartoonist Bil Keane (The Family Circus), Glen learned early on the importance of holding onto your childhood creativity—and how art can powerfully convey emotion. Keane has spent his career embracing new tools, from digital environments to 3D animation to today’s virtual reality, which finally enables him to step into his drawings and wander freely through his imagination.
At FoST, he’ll explore how to tap into your own creativity, connecting to emotion and character more directly than ever before.
Keane’s VR painting is created in Tiltbrush: tiltbrush.com